Oil on canvas, 24” x 36”

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Oil on canvas, 18” x 24”

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Oil on canvas, 20" x 40"

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Oil on canvas, 18” x 24”

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Oil on Canvas, 16" x 16"

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Oil on canvas, 2017, 12"x12".

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Charcoal & white chalk on paper, 2016, 14" x 14".

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The aim was to lift a section of water and view the interior of the ocean from above.  The piece starts to examine the solidity of water as a potential volume of architecture for future installations. 

Charcoal on newsprint, 2016, 14" x 14".

Sepia charcoal and white chalk on paper, 2017, 4" x 4".

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This preparatory sketch is for a three panel drawing set commissioned by a American collector.  All three drawings will be executed in sepia charcoal and white chalk as a unique set.

Oil on canvas, 2017, 12" x 12"

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About the Surface Series

The fourth painting in the series focuses on the solidity, rather than the translucence of water.  The surface, which is something that can be seen and felt, but not held acts as a barrier between the aquatic and terrestrial worlds. 

Oil on canvas, 2017, 12" x 12"

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About the Surface Series

The surface is the gatekeeper of the largest landscape on earth.  It is an unbreakable mirror that forever divides two worlds, one which breathes air the other which breathes water.  But unlike the mirrors on land, the surface is one we can step into.

As the series expanded a collector in Kuwait commissioned six additional Surface paintings to accompany this piece.  

Oil on canvas, 2017, 6" x 6".

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About the Surface Series

This is the first painting in the series which explores the surface of the ocean as a piece of liquid architecture.  Until the age of photography every painting of the water was approximation captured over time.  Through photography we were afforded the first, singular view of the water in suspended animation.   

Installation view. 

Pencil on paper, 2015, 14" x 14".

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About the Surface Series

The surface is the gatekeeper of the largest landscape on earth.  It is an unbreakable mirror that forever divides two worlds, one which breathes air the other which breathes water.  But unlike the mirrors on land, the surface is one we can step into.

This is the first drawing in the series which explores the surface of the ocean as a piece of liquid architecture.